The two trendiest words in classical music are ‘El Sistema’.
That’s the name for the high-intensity programme of instrumental
coaching that turned kids from the slums of Venezuela into the thrilling
Simon Bolivar Youth Orchestra (SBYO), conducted by hot young maestro
Gustavo Dudamel before he was poached by the Los Angeles Philharmonic.
Or so the legend goes. When the SBYO was booked for the Proms in 2011, the concert sold out in three hours. Sir Simon Rattle, no less, declared El Sistema to be ‘the most important thing happening to classical music anywhere in the world’. Audiences wept at the sight of former street urchins producing a tumultuous, triumphant — and virtually note-perfect — performance of Beethoven’s Fifth. ‘If people cry two minutes into the concert, there’s nothing more to say,’ declared Rattle.
http://www.spectator.co.uk/arts/arts-feature/9388362/the-dark-side-of-el-sistema/
Or so the legend goes. When the SBYO was booked for the Proms in 2011, the concert sold out in three hours. Sir Simon Rattle, no less, declared El Sistema to be ‘the most important thing happening to classical music anywhere in the world’. Audiences wept at the sight of former street urchins producing a tumultuous, triumphant — and virtually note-perfect — performance of Beethoven’s Fifth. ‘If people cry two minutes into the concert, there’s nothing more to say,’ declared Rattle.
http://www.spectator.co.uk/arts/arts-feature/9388362/the-dark-side-of-el-sistema/