Chilean filmmaker Pablo Larraín is a man fired by conviction, something that seeps deeply into his work. His loose trilogy of sorts, which concluded with No
(2012) looked at the Augusto Pinochet era from different angles.
Now he’s put that to rest, a bigger target has entered his sights. The Club is an excoriating takedown of the Catholic Church and a howl of rage that soon turns into general despair when the same old patterns start to repeat themselves.
http://www.popmatters.com/review/sins-of-the-fathers-in-the-club/
Now he’s put that to rest, a bigger target has entered his sights. The Club is an excoriating takedown of the Catholic Church and a howl of rage that soon turns into general despair when the same old patterns start to repeat themselves.
http://www.popmatters.com/review/sins-of-the-fathers-in-the-club/